half a mile of the american dream: a glimpse of route 66

Experiencing my own country with a foreigner is maybe as close to really traveling in it as I’ve ever gotten. Here with Victor, I delight in the little quirks that may surprise him. I explain why we always tip, and how much to plan on. I smile as he fumbles with the standard American how are you?, which tends to startle Europeans.

“What do I say? Do they really want to know how I’m doing?”

You can just say, ‘fine, thanks,’ ” I tell him. I fall back on nearly two decades of reading, of soaking up facts like a sponge, and tell him about presidents and steamboats, Disneyland and peanut butter on hamburgers. He has never seen an armadillo. We laugh about the oddness of them, positively prehistoric, little aliens on the side of the highway.

Missouri summer: typically, I am mired in humidity. Mosquito splat on my sweaty shoulder. Shimmering mirage pools on the highway. Dreaming of my next plane ticket.

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With Victor, I feel my curiosity restored. We’ve spent time in Italy together–both of us lost–and in France, where my accent exposes me. Now in the US, though missing for me that intoxicating hint of the exotic, I realize it is truly worth exploring with the same enthusiasm I’d have anywhere.

I try to examine everywhere we go with my traveler’s eyes, my traveler’s mind, to see it all the way Victor might. USA: size staggering, possibilities intoxicating, the freedom of the open road.

Appropriately, a few hours past Chicago, I saw a sign promising a “historic Route 66 museum.”

“Take the exit!” I said. Victor had expressed interest in the famous highway the whole time we were planning the trip. Ah, Chicago. Route 66, non? Trop bien! His enthusiasm made me realize my own knowledge about Route 66 stopped at song lyrics.

After the turn, a modest sign declared “You are driving the historic Route 66.” I pointed it out to Victor. Here it was, the real thing, the American dream.

For about a half mile.

We turned off into Pontiac, Illinois, a town of 12,000. It was also Victor’s first stop in small town America. A good one, I thought. Pontiac has saved itself from ghost-town fate by capitalizing on its Route 66 history. You can’t walk far without spying a vintage mural: Coca-Cola and Victrola and the “Palace of Sweets.” The grand courthouse sits on a verdant lawn. We spent just a quick, quiet hour here. Sunlight rendered the sidewalks blinding; the sky was bright blue and cloud-studded, a Route 66 postcard of a day.

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After parking near a fire station, shiny red trucks on display, we walked down the main street in search of coffee. We stopped at the kind of bakery that could be anywhere in small town America: apple strudel, shellacked sugar cookies, typically bad coffee in styrofoam cups.

Old farmers in overalls and baseball caps came and went, the thin wooden door thwacking shut behind them, the ceiling fan whirring softly. The bulletin board was messy with local news: lost dog: reward!, spaghetti dinner, quilt show.

As we paid for coffee, I thought about how even something as banal as counting out change could carry a whiff of novelty. Victor, unaccustomed to American currency, was fine with bills, but tended to drop any change he received into my palm, until my bag was heavy with dozens of quarters.

At the museum, we met a kind woman who gave us Route 66 buttons and asked us to sign the guest book. The family who arrived just before us was from Barcelona. A quick look through the pages revealed a plethora of foreign visitors. China, Germany. I was shocked, but later learned that in the summer, up to fifty percent of travelers on the decommissioned highway are from Europe and Asia.

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The museum is small. The bulk of the Route 66 memorabilia is displayed in one large room, wallpapered with a dizzying array of vintage road, diner, and motel signs. There are a few photo ops: booths from the world’s first Steak & Shake and a yellow VW hippie van driven by one Bob Waldmire, an artist and wandering soul known by some as the Johnny Appleseed of Route 66. The van was the inspiration for character Fillmore in the movie “Cars,” and is largely how Waldmire left it. You can even see the boxes where Waldmire kept his pot stash. Apparently, he dissuaded curious police officers by telling them the boxes were home to his snakes.

The museum seemed the kind of place serious Route 66 buffs would appreciate, but our quick stop didn’t answer all of my questions. Namely: just what is so important about this road? What is keeping this nostalgia alive for people around the globe? acs_1054

Once I started reading into it, I had a hit-you-over-the-head revelation. Embarrassing in its obviousness. Though I drive on the highway every day, I’d never thought much about how important roads are. Not just the ease with which they get you to Starbucks, but how they determine the character of a country, determine what is possible. How fast can you get from here to there, and where will you stop for a burger and a rest along the way? Route 66 shot through Illinois, Missouri, Kansas, Oklahoma, Texas, New Mexico, and California, fostering industry and possibility everywhere it passed through. Its nickname, the “Mother Road,” comes from John Steinbeck, who in Grapes of Wrath described the road’s importance as an escape route: hosting westward-bound migrants as they fled the disaster of the Dust Bowl.

When times were better, Route 66 equaled fun and freedom. “Get your kicks.” Families packed up their 2.4 children and set out on the open road just for fun, ushering in a new prosperity for the myriad diners, motels, and entire towns along Route 66. Some people even made a living managing ‘motor courts’: motels featuring an adjacent garage for each guest.

When the route was replaced by I-44 and eventually fully decommissioned in 1985, it took with it entire economies. Serious fans can still drive sections of the old highway, but parts of it are impassable. Route 66 today would read like a map of ghost towns if not for the odd community, such as Pontiac, appealing to popular nostalgia. Some are committing to restoring and revitalizing the classic route, but the job is not without its perils: put up a new Route 66 sign and someone is bound to steal it. Route 66 is just too iconic for its own good. Learning from this inevitable outcome, some towns are painting the words “Route 66” right onto the road.

I don’t imagine the enthusiasm will die down anytime soon. Disney-Pixar’s “Cars” movies, funnily enough, fostered an increase in activity on the road. And to reference my own recent road trip experience–standing in long lines in Memphis to see Elvis’s Graceland more than forty years after his death–I am convinced that Americans (and others) have enough reverence for the past to keep this particular American dream alive quite awhile longer.

 

PBS Video: A Resurgence for the ‘Mother Road’: Revitalizing Route 66

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“make no little plans”: in chicago, the road trip begins

When Victor came to visit for two weeks in July, our travel plans were quite literally a rough sketch. The napkin on which I had scribbled ideas during a phone call became the backbone of our road trip.

As the day of Victor’s flight approached, we had little more than city names, a few reserved AirBnbs, and a lot of anticipation.

Trepidation, too. Victor, aviation enthusiast, happens to hate flying. Cold sweat, shaking hands, “I need a cigarette” kind of fear. This Boeing 747-8 would be the biggest plane he’d ever taken. It would be his longest flight to date and his first time in the United States.

I was anxious too–seeking job opportunities with no answers; hoping with all I had that our young relationship would translate from Facetime back into real time after a month apart.

We met in Chicago at the airport. I called him: I’m in your terminal, next to the McDonald’s. Welcome to the USA.

Despite his rumpled, post-flight appearance–expression equal parts fatigue and joy–Victor had that shimmering quality to be found in loved ones you haven’t seen for awhile. Be it friendship or romance, you can’t stop staring. A state of happy shock: it’s the one you love, no longer tinny-voiced, pixelated, stuffed into a screen. The heart rejoices, always with some degree of relief. They’re real. I knew it. The anxiety of absence dissipates instantly like they never left, or you never did.

We proceeded to the rental agency to pick up our noble white steed for the duration of the trip: a little Mustang convertible. Despite having just staggered off the plane, Victor drove us into the city. It was too hot to have the top down, but we did anyway, shouting over wind and music. Semi trucks and billboards didn’t make for the prettiest tableau, but something about it felt exotic to Victor. I just can’t believe I’m here, he kept saying. J’arrive pas à le croire. It’s just like a movie.

When the smoky skyline popped into view, I took a picture for him, which I would do for much of the trip as co-pilot. The green-and-white signs announcing nearby cities, signs warning to watch for Amish horse-and-buggies, a fleet of police officers on Harley Davidsons…all of it was fair game.

In Chicago I pointed out the Midwestern friendliness I find striking for such a big city. We were unabashed tourists–posing with the Bean, taking the riverboat architectural tour to learn what percentage of Chicago burned to the ground in 1871, riding a wheezing double-decker bus in a lurching path around the city.

We ate hotdogs with mustard and drank huge lemonades from the stands by the lake. In an attempt to show Victor American breakfast culture, I took him to a donut place where we ordered chocolate pastries the size of our heads. He gawked at the deep-dish pizza at Giordano’s.

It felt appropriate to introduce Victor to my country with such a city. A big one. With tall buildings and endless pizza and a lake you could mistake for a sea.

Make no little plans; they have no magic to stir men’s blood and probably themselves will not be realized. Make big plans; aim high in hope and work, remembering that a noble, logical diagram once recorded will never die, but long after we are gone be a living thing, asserting itself with ever-growing insistency. Remember that our sons and our grandsons are going to do things that would stagger us. Let your watchword be order and your beacon beauty.

-architect Daniel Hudson Burnham (1846-1912)

flyover country

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I remember reading once that there is more life in a one-square-foot patch of earth than in an entire city block. I may be off on the specifics. The point is just how much life there is–from microscopic to tiny–everywhere you go. The point is what you can see when you stop and look. I remember being floored by that colorful fact, probably encountered in National Geographic Kids, and crouching in the grass for several minutes. Sure enough, there were more bugs than I knew how to name. Everything was moving, when you really looked at it. Everywhere things were crawling and seething and hiding.

I’ve had lots of time to look, home in Missouri, waiting on paperwork to process for a teaching job in France. My room overlooks fields, a garden, a lawn of browning grass. I count the surprises viewable from the windows: Deer in the field. A sudden rainstorm, sweeping in with bruise-colored clouds. A few bats in frenetic flight, just blacker than the matte night sky. The wind carving paths through the knee-high soybeans. ACS_1184 2

It’s less than exhilarating, my existence here. Friends have moved on, to engagements and new cities. My old jobs are positively vintage, inaccessible: I spent sweaty afternoons at the local pool completing the teenage rite-of-passage known as lifeguarding. What’s left is family and this old house where each creak of the floorboards is familiar.

In a world so full of noise, this kind of quiet feels almost radical. In a time of life where I am expected to be always striving, always carpe diem, this time to just be feels like a revelation. It affords the kind of clarity that I realize comes from simply paying attention to things.

For maybe the first time, slowing down hasn’t tortured me, overwhelmed me with immediate existential crises or urges to make unwise impulsive decisions. Free from the childhood distractions of summer camp and swim team and general growing up, I have a whole lotta time to think. It’s not so bad once you get used to it.

Plus, there’s more time to read. I’ve been enjoying what I think of as “rural novels” or “Midwest novels,” marked for me by a matter-of-fact tone, no artifice. Characters largely stay put, but compensate for a lack of mobility with rich appreciation and description of their surroundings. Two such examples are Marilynne Robinson’s Pulitzer-winning Gilead and companion novel Home. These novels follow two aging Iowan pastors and their families in rural Gilead in the fifties. The books are subtle and true, imbued with melancholy and sunlight. Robinson manages to write about faith and family without bowing to the sentimental. These books are slow, meditative. Not at all boring. This time at home feels like that.

All this practice slowing down–like a temporary life of retirement at 24–had me eager for the road trip I took in July with Victor. We saw a lot and just like with that fabled square-foot of earth, it brought me to a few realizations. First, once again, this earth is teeming with life. There are stories and things of interest everywhere, often very subtle. Everywhere were curiosities. Even at the rest stops. Even in the odd ghost town in Arkansas. Just a matter of paying attention. ACS_1185

Second was the melancholy acknowledgement that I will never see everything, know everything. The more I learn, the more I am humbled by all there is to know. Our trip made me think, and say: I know nothing. Or very little. 

It reminds me of when I was 15, working on Rosetta Stone French, able to recite a few phrases from memory. A friend asked me, without irony, “so are you like fluent now?”

“Yeah, I’m pretty close,” I responded. It would be years before the assertion of fluency was accurate. I didn’t even know what I didn’t know.

I feel that now, just with life. A full acknowledgement of how small I am, now that the sparkle and arrogance of the college days has faded. Time felt endless. Now it doesn’t. The reality paralyzes for awhile, and then you move forward, conscious of your place. I am, I think, a raindrop in a sea.

Home is where you go to entertain these true, hard thoughts. Absence of distraction. Marilynne Robinson wrote “Home. What kinder place could there be on earth, and why did it seem to them all like exile?”

On the road trip, there is again much time to think. Companionable quiet as we drive, all corn fields and cloudless skies. I become well-acquainted with the right side of Victor’s face. I grit my teeth when semi-trucks seem not to see us or when a storm rolls in and slicks the highway. I am scared of car wrecks. Not in any inhibiting way, just with an acknowledgement that floats hazy on the edge of my consciousness. It’s such a common way to die. Every time we leave the house we surrender to the possibility of falling victim to another person’s inattention. I’m surprised we don’t consider it quite a bit more often, our own mortality.

swf seeking family of four: the almost au-pair

 

Will they like me? 

Will they think I’m attractive?

Am I showing enough personality? 

These are all questions that sprung to my mind as I surveyed my bio. I felt waves of confidence–then shivers of self-doubt. But my work, for the moment, was done.

I had carefully selected five or six photos, chosen for the version of me they projected. I had curated a mix of “fun,” “professional,” and “good hair day.” I had spent two hours distilling my experiences, qualifications, and goals into a few breezy paragraphs.

Now came the hard part. Waiting to be noticed.

I wasn’t looking for eligible bachelors, but married Frenchmen with children.

In other words, I was the newest addition to Au Pair World dot com.

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Au pairing was a backup plan, on the advice of my business-manger boyfriend. I’m not so good at initial plans, not to mention backups. I have rarely had too many choices.

But there I was, lingering around my hometown, waiting to hear back about a teaching job in France. Though I’d received a positive response to the candidature spontanée I had sent to a small school in Provence, it had been several weeks with no further correspondance.

My other job applications had gone unanswered. After a flurry of emails, I learned I could not enroll in a university in Nice. Trop tard. I’d missed the deadline.

I was content to wait around–at least I thought so–because combing through Indeed.com does not my favorite activity make. I was a bit stressed due to a lack of direction, but largely at ease, ensconced in a cocoon of novels and homemade cookies, with the distraction that comes from again living with a family.

Victor, living in the real world as he does, shattered my illusion. He reminded me that opportunities weren’t going to fall into my lap. It was only June, but it would soon enough be September–la rentrée, back-to-school time–and if I did nothing, the laissez-faire approach would surely leave me with just that. I (begrudgingly) appreciated the reminder.

Victor asked me if I’d considered au pairing. The more I thought about it, the more sense it made. That was one job I knew how to do. It would provide me with a change of scenery, some security, and the chance to figure out a next move from within France: making the future job search a lot more fruitful.

My profile went live, and it wasn’t long before messages from interested families came rolling in. Several days later, I had my first Skype meetings.

Just like in the dating world, this was all based on chemistry. We smiled and asked each other the same few questions–what are you looking for?–but what we were really doing was looking for chemistry. More than any perfect response, the important thing seemed to be intuition, the pursuit of le bon feeling.

I got a little nervous before each new date, checking myself out in my laptop’s camera. Then I would laugh at the reflex. When you’re dating families, you don’t want to look alluring and attractive. Those are not the right words. Mary Poppins, maybe, is the right word. I needed to look polished, responsible, and like I was the kind of girl who could pull lifesaving, boredom-killing objects out of my sizable purse on a whim.

I did the interviews, quite a few of them, scrambling to keep the information straight.  There were several families that didn’t play hard-to-get. They told me straight-up: we’re interested. Call me. My experience with teaching, interest in the Montessori method, and ability to figure things out on my own (since I’ve already lived abroad) helped me stand out as a reliable candidate. And my status as an American citizen was in-demand.

And so all of a sudden, I had options. Offers. I could say yes, a well-considered oui, and my life would change. 6 months forward, I imagined:

Paris. Two little girls. Parents not much older than me. We hang out, drink wine on lazy evenings. With the girls, I sing silly English songs. We make gâteau au yaourt. I master the metro. I take classes at the Sorbonne. I ride a bike, shiver in the brisk Paris winter. (I make a note: I’ll need a new, warmer coat.) Victor flies up once a month to visit. We stroll around Montmartre, red cheeks and chocolat chaud. 

There it is, the skeleton of one future. Parisien me could be reality. She was close enough to capture with keystrokes. The funny thing is, almost all decisions are significant. It’s just that we usually don’t know that at the time. Sometimes we never put the pieces together. But I have always loved working backwards, identifying the little decisions that led to the massive change. Pulling apart the what-ifs.

Finding an au pair family felt like choosing my future. Like knowing, for once, what my decision might bring. Sure, it was a bit of an illusion. Still there was an agreeable feeling of power to it. I could research people’s lives and have total freedom to decide whether I wanted to drop in or not. How often do you get to choose a city, living situation, bedroom, and family in one simple move? The future was in my hands. Plus the pressure that went along with that.

I kept scouring profiles and doing interviews. I continued my rêveries, now with an outdoorsy family in Bordeaux, a big family living just across the German border, a single mom with two little boys living in a renovated farmhouse in the Alps.

I could be in Nice, (somewhat) warm all year round. Or I could have a red nose from ski sunburn. Or a big group of friends, students in Lyon. Or the ability to while away whole afternoons writing in a hidden Parisien garden.

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It all tempts me.

I see a dozen pictures. This would be your room! They tell me. Would your boyfriend like to come visit? Do you like cats? Do you like to cook? We hope you enjoy wine. We want you to speak English with the kids. We want you to speak French with the kids. Come to Portugal with us. Don’t worry about the housework. Do worry about the housework. We’d provide a bike. We’d provide a car.

I learn that some families are looking for a big-sister character. Others, a full-fledged nanny.

I meet a family I fall for. The kids have my heart with their smiles. I am at work imagining a future. I am ready to cease searching and commit.

The very next day, I receive an email from the school: “thanks for your patience,” essentially. “We’d really like to talk to you about that job.”

floating relic: venice by gondola

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Venice by sandolo

I was content to keep exploring Venice on foot. While the idea of a gondola ride had its intrigue–is there anything more uniquely Venetian?–in reality the excursions looked less than romantic. From where I stood–on bridges, mostly, peering down into the polished boats–I saw sullen gondoliers wordlessly transporting families of six who videotaped the entire experience. I watched young couples who flicked through their phones and barely regarded each other or Venice as they were swept through the city’s canals.

Any charm seemed in danger of suffocation by the fierce overhead glare of the sun and the thick crowds on the Rialto Bridge. People were jostling, posing, and dripping gelato on the steps as one boat after another passed through the main waterways, nearly bumping up against one another as if this were Disney’s It’s a Small World instead of a private, 80-euro experience.

As I walked, though, with Victor, wandering far from the densest masses of crowd, I fell for the empty gondolas. Bobbing gently in quiet corners of the canals, their onyx-black hulls glittered in the sun, modest quests for attention. Their distinctive color, I later learned, dates back to 16th-century law: an attempt to halt gaudy competition between gondoliers.

Still, each gondola I saw was unique. Their interiors were scarlet and gold, or occasionally, cobalt blue. They held bright rugs and gold vases filled with sunflowers and glossy wooden chairs with floral upholstery and red cushions with white lions. Gold mermaids and winged horses and angels leapt from the sides.

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The gondolas were perfect objects, indisputably beautiful. The gleaming wood and elegant curves brought to mind musical instruments: the grand, glossy elegance of a cello or bass.

Italy is known to prize the aesthetic, with its concept of bella figura, its reverence for beauty and grace. This Cadillac of a boat, I thought, was a good example: moving at 3 miles an hour, walking pace, the gondola is a relic in the 21st century, wholly unnecessary and fully lovely. ACS_1031

It takes about two months to construct a gondola and costs upwards of 20,000 euros to purchase one. Eight types of wood–cherry, elm, fir, larch, lime, mahogany, oak, and walnut–are joined together in an ingenious, flat-bottomed design that allows the boat to navigate in water just centimeters deep.

There seemed no better way to directly experience Venice’s aquatic history than by getting into a boat. We decided to go for it, in our last full day in the city, as long as we could find one a bit off the beaten path.

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Gondola rides are price-controlled, currently eighty euros for a standard daytime ride and one hundred at night. But shopping around is worth it, as the experience differs greatly depending upon the starting point and the personality of the gondolier.

Victor and I walked until we found the neighborhood we remembered from a previous stroll. I don’t know how we found it, really. The endless tiny streets–some of them dead-ending into the canal–confounded my navigation apps, not to mention my nascent sense of direction.

We were in the quiet Campo del Ghetto, the Jewish neighborhood dating back to the 16th century. The English word ghetto originates from Venetian dialect geto, meaning ‘foundry,’ and this was the area’s purpose before Jews were isolated and forced to live there. Campo del Ghetto was cut off from the city until 1797, when Napoleon conquered Venice and ended the neighborhood’s separation. Today, the Ghetto is a calm area with a Holocaust memorial and five synagogues.

We saw a boat coming in and waited by stone steps leading into the canal. The gondola was piloted by a woman– a sight rare enough to be striking, but I didn’t yet know how rare. Researching it, I learned there are so few women gondoliers that you can know them by name. Their names are Giorgia Boscolo and Chiara Curto: out of about 400 total gondoliers, there are two women.

Ms. Curto was the woman steering the boat up to the foot of the bridge, smiling and ruddy-cheeked. But she told us she was booked for the rest of the afternoon. It had been a day where we kept running into Closed signs; it seemed a fitting, disappointing end. But then she said she had availability for the sunset tour. She made a note and we hurried off into the maze of streets.  acs_0833

Freshly showered (and wearing distinctly clashing outfits), Victor and I returned a few hours later. The water and buildings shone soft pastel in the waning sun. Ms. Curto helped us into the boat, and then hopped up on the nearby bridge to take our picture. I didn’t have to fake my smile (and couldn’t have stopped it if I tried). If there’s ever a place to be a fool in love, it’s on a boat in Venice.

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Victor noticed the gondola didn’t have the distinctive iron ornament (the fèrro) that we’d spotted on the front of the other boats. That’s when we learned we weren’t in a gondola at all but a sandolo. Sandoli are wider and flatter than gondolas, used for rowing. They can access shallow spots in Venice most gondoliers wouldn’t go. They are also, Ms. Curto told us, even older and more traditional than the gondola.

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Chiara didn’t sing, but she was full of stories. In brief silences, the only sound was the oar moving through the water. We swept under bridges–Ms. Curto deftly ducking out of the way–and past churches, bars, and boats. We glided under laundry, the great equalizer, a cheerful reminder that behind these flung-open shutters and crumbling brick walls life churned on, messy and mundane. Whole duvets hung out to dry on the pulley systems spanning the canals.

As Chiara steered the boat back to the foot of the bridge, I stirred, dreamy-eyed, like I was waking from slumber. As in sleep, time had ticked by in secret, and the half-hour outing felt as if we should measure it in seconds.

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I wondered what would it be like to be any one of them. To work standing up in a boat, battling the cold and the sunburn. To bask in beginnings, to witness the unveiling of so many shining engagement rings. Might you be cynical, a poet, or some combination?

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Might you be proud: carrying on a centuries-old tradition that is in no way vital to the city’s operations…but surely vital to its heart.

the city of islands: death by tourism?

Venezia is a city composed of tiny islands. 120 of them, spanned by 400 bridges. Wooden or stone, humble or showy, everywhere bridges. Every time you cross a bridge you step onto a new island. 

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Long ago, these borders determined micro-communities, islands like tribes. People didn’t know their neighbors across the water. The communities were self-sufficient, each served by its own church. This explains why Venice is absolutely frothing with churches–from modest works of brick to candy-cane-striped Venetian gothic facades to the grand onion domes of the basilica–quite literally sinking under the weight of all that glory. 

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In addition to heaviness and high water, it seems Venice faces another, more insidious threat: death by tourism. 

Today, when you cross a bridge, you step foot upon layers of history and human invention. Your shoes touch the worn-smooth stone of another cobbled island atop layers of foundation atop sturdy wooden piles shoved into the cold mud of a lagoon in the Adriatic sea. Improbable. And it fascinates. Surrounded by teal water and nautical chaos–daily deliveries made by worn motor boats, the glide of gondolas under canal bridges–I feel fairy-tale free. Venice feels like a place of no rules–new rules–a place where animals could talk, time could stop. A stooped man plays the viola on a corner overlooking the frenzy of the Grand Canal, music so beautiful it sounds like a gift. Many times I abandon my plan in favor of sitting to savor a scene, a sound. 

Yet. Competing with this beauty is the kind of tourism that drowns a place. Cross a bridge today and there is more of the same: not just the aperol spritzes and jewel-toned gelato, but more junk. There are vendors selling cheap plastic selfie sticks, cheap plastic everything, mass-produced “paintings,” “designer” bags…whole categories that must be put in quotation marks. There are aprons with pictures of Leonardo’s David (who does not reside in Venice, last time I checked); there are tee-shirts with the Mona Lisa. There are restaurants whose menus read like a list of obligatory “Italian” specialties. There are aggressive salesmen and signs in ten languages.

On some streets, it doesn’t feel much like Venice, or Italy, or anywhere. It feels like a whole new world: the land of globalization. You could be in Paris or New York. You could be in an aggressively-peopled dollar store. You know it’s Venice, though, because these stores and stands and hats and handbags and posters and magnets and towels and water bottles and keychains tell you so: VENICE, no beating around the bush. Look a little closer, though, and ah, there it is: made in China. 

Nothing revolutionary: this is the price to pay, you may argue, for popularity. This is 21st-century travel.

Venice, though, is no New York or Paris. It is infinitely smaller and much more delicate. The majority of Venice’s 30 million yearly visitors flood the city for less than twenty-four hours.  

This approach to Venice–a whirlwind tour like a day at Disney–hurts Venetian businesses, culture, and citizens: of whom there are only 50,000. Venice sees about that many visitors every day. The exponential growth of tourism in the area means that everyday businesses like grocers and bookstores are closing, priced out by more and more souvenir shops. It’s an expensive city to visit–and to live. But the city is working towards a solution, promoting detourism: a campaign aimed at teaching visitors how to “go beyond the usual tourist sights, stumble upon unique experiences and see Venice with new eyes.”

Victor and I took a free walking tour that is part of the campaign to #enjoyrespectvenezia.

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The website explains: Venice Free Walking Tour is for those who want to see and know more than the 90% of people visiting Venice will see. Venice Free Walking Tour is for Travellers, not for tourists

Our guide was Elena, Italian, in her late twenties with red hair and glasses, all charm and energy. She introduced herself, telling us she studied literature and history and languages. Victor nudged me: I think you found a new friend. I was thinking the same thing. Her passion about Venice, both its past and its unknowable future, had me intrigued, leaning forward and writing down most of what she said. She had moved to Venice temporarily, she told us–for studies–but plans changed when she fell in love (with the city and one of its residents). 

She told us many dreamy details of Venice. There were stories of Venice’s cemetery island (hosting the graves of Ezra Pound and Stravinsky). We passed a grand old building with frescos on the walls that now holds a basketball court, because the city didn’t know what else to do with the space. She told us about a small grocery store in a marble-floored theater. We talked St. Mark and chiaroscuro and what those symbols on the ground meant– little letters everywhere; codes for city engineers.

I am saddened by the touristic tendency to consume a place: to bury it under cheap knickknacks, to aggressively photograph it, to patronize only that which is obvious, to leave none the wiser.

But, if this initiative is any indication: there is hope.

At the end of the tour, we were given a map marked with recommendations for bars, restaurants, shops, and more, so even the most casual tourist-traveler could get a real taste of Venice. Elena told us what to look for, what to order.

We left hungry and found one of the restaurants on the list, where we shared a plate of nero di seppie: cuttlefish cooked in its ink. The dish had a delicate, complex umami flavor and was a deep black that stained our mouths. Accompanied by bright-orange aperol and a caprese salad, the spread was a visual treat, and the meal marks one of my favorite moments in Venice with my chéri: happy with a cold cocktail after a day of sun, alight with new perspectives and ideas.

getting to know you…sunshine blogger award

One of the things I’ve most enjoyed over my year in Cannes has been gradually building up a blog readership. I sat down one day full of ideas and wrote about how speaking a second language opened my eyes to the greater absurdities of life itself. Many of you seemed to relate, sharing humorous stories and memorable experiences from all around the world. This was the post that really kicked off a community.

Thank you, truly, for reading what I have to say and leaving your thoughts and ideas and encouragement.

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Today I’ll be answering some questions about me! (In case you’re interested in learning more about The Blogger). Thanks to My Library and other Mischief for nominating me for the Sunshine Blogger Award– given, doth say the Internet, to bloggers who are creative, positive, and inspiring. I appreciate it!

SUNSHINE BLOGGER AWARD RULES:
-Thank the blogger who nominated you.

-Answer the 11 questions asked.
-Nominate 11 other bloggers and ask them 11 new questions.
-List the rules and include the Sunshine Blogger Award logo in your post.

What inspired you to start blogging?

My mother. Before I left for France for the first year, Mom encouraged me to share my experiences in writing. I already had a blog, but it was a mishmash of music I liked, some free-verse, some trips I’d taken… My mom thought I should start a new one. Knowing what a perfectionist I can be, she emphasized that it didn’t always have to be something edited and profound. “Just so we can know what you’re up to!” Little did she know (I think) the hours I would toil away on this project, striving to produce pieces that are edited and are profound (or at the very least, thoughtful and true).

My blog has kept me afloat during some challenging times. When things are hard (or funny or ridiculous), thinking about the story I’ll be able to tell makes it better. And the fact that a few people might read it and respond is a bonus: very motivating for me.

What are you most proud of?

A friend gave me a cool compliment last year. She said I was more committed to self-improvement than anyone she knew. When she said that, I realized that it is a sort of skill. When I perceive a personal flaw or weakness, I work hard to change it. “That’s just the way I am” is never something you’ll hear from me. I am proud of transforming from a fearful, miserably self-conscious teenager into the person I am today. I worked for that; it didn’t happen by accident. I am proud of the (hundreds of) times I’ve challenged myself to do things that scared me. This used to mean approaching a stranger on campus (I was cripplingly shy). More recently, that means living abroad by myself, arranging job interviews in my second language, picking myself up after rejection.

If you could meet anyone from any time period who would it be?

I like to ask people “who’s your favorite Missourian?” (If I only had a dollar for every baffled “I don’t have a favorite Missourian…”) I then inform them they could choose T.S. Eliot or Josephine Baker or Walt Disney. But I mostly bring it up as a non-sequitur so I can talk about Mark Twain. Mark Twain had humor, style, soul and wit. He toured Europe and wrote a diatribe about how bad the food was. He wrote a novel that changed the course of American literature. He provided withering and hilarious social commentary, spoke out against slavery, and had this to say about travel: “Travel is fatal to prejudice, bigotry, and narrow-mindedness, and many of our people need it sorely on these accounts. Broad, wholesome, charitable views of men and things cannot be acquired by vegetating in one little corner of the earth.”

Here is a hardcore Missourian who did anything but vegetate in his little corner of the earth. He saw the world, he unlearned the racist views he’d been brought up with in a slave state, and he used his skill with the written word for good.

(Other answers would probably skew literary as well! I would love to talk to Virginia Woolf regarding “A Room of One’s Own,” just for starters. Or artistic weirdos like Salvador Dalí).

What would you like your older self to remember when you look back on this period of your life?

I would like to remember the actual and emotional challenges of being in one’s early twenties so I am able to provide empathy and encouragement to others in the future. I am helped enormously by older women that remember what it is to be 22 or 24, adrift. Wanting everything, sure of nothing. In a few years, the problems I have now might seem laughable to me. I hope they won’t, though. Each age has its burdens, all of them valid.

Where is the last place you travelled to? Would you like to revisit it in the future?

Venice. And yes, very much so. Venice captured my imagination and won’t let it go. A city of music and water and color and drama.

What is the silliest thing you have ever seen or heard on public transport?

After two years in France, I am begrudgingly well-practiced in the art of public transit. I have occasionally been the silliest thing on public transport, I’m afraid. There is a story involving a very large, very obtrusive swan-shaped pool float on a regional train.

What book do you think everyone should read?

It’s tough to choose a single book. I’ll go with genre. I think everyone should read dystopian novels. The Handmaid’s TaleThe RoadThe Girl with All the Gifts, Fahrenheit 451… Besides being impressive and entertaining works of imagination, these books are warnings. They remind us to ask questions and retain a healthy dose of skepticism. They are parables about greed, power, ignorance, fear.

What film would you recommend watching on a rainy day?

My Best Friend’s Wedding. It is no secret I have a massive girl-crush on Julia Roberts. Since I don’t expect to run into her anytime soon, unfortunately, I have to console myself with the thought that perhaps one day I will be as cool. As charming and funny and real, even and especially when things aren’t going my way. In My Best Friend’s Wedding, our dear Julia is a hot mess, a food writer pining after the one who got away. She’ll do anything to get him back. However, her happy ending doesn’t exactly come to pass. In the world of romantic comedies, this is almost revolutionary. A story that’s funny and true, a balm for anyone who has ever been unlucky in love. Laughter helps.

What is your beverage of choice when writing?

It has to be hot. My preference is a cappuccino or really good black coffee.

Have you ever studied a foreign language? If yes which one and what are your study tips?

French, clearly. And much more recently, Italian! What works well for me: creating a personal immersion environment to foster creativity and motivation. I read books about Italy (culture, language, food). I watch Italian movies. I use Duolingo to learn new vocabulary. I listen to opera. I have speaking lessons 2-3 times a week. I have been able to take a few trips to Italy and thus have a real reason to speak the language. All of this keeps my motivation strong.

I guess my advice, condensed, is to make the language/culture a real hobby. If you sit down thinking just, “hooray. Prepositions,” there’s a good chance you’ll let it fall by the wayside. Instead, let it capture your imagination. Learn about (or meet) the people. Taste the food (recreate it at home). Dream of the places you could go and enjoy if you keep studying.

Do you prefer large or small marshmallows in your hot chocolate? 😉

This brings back sweet memories of snow days spent playing outside. Any marshmallows are just fine by me.


Now, here are my 11 questions for some other bloggers/generally cool people. (I hope this could inspire a post if you’re feeling stumped!)

What inspired you to start blogging?

What do you hope to accomplish with your blog/writing?

Have you ever experienced culture shock? 

Describe the most memorable meal you’ve ever had OR the worst date. Or both.

What is something you wish you were better at? 

What cities/countries have you lived in, and do you have a favorite? 

Where do you find inspiration? 

What is your travel philosophy?

What is something you think is completely overrated? 

What’s your drink? 

Describe a piece of art (in any medium) that changed the way you saw the world. 


Heide at HeideBlog

Haley at A World Full of Scribbles

Anne at Present Perfect

Ruth at Talk Foreign to Me

Boomer’s Baby Steps

Girls on a Train

Bola at Flâner

Arielle at Whiskey Sour Wayfarer

Diane at Oui in France

Jess at Ordinary Girl, Extraordinary Dreamer

Persephonetically